YOU CAN BE SPECIAL, TOO

MUSIC STRATEGIES & SONIC BRANDING
Finding the music ID for your campaign or TV commercial to broaden brand recognition of your product. PUBLICIS, CLM-BBDO, MERCEDES-BENZ and NISSAN have used my skills.

SPECIAL EVENTS & HOTELS
Creating made-to-measure scores that define the theme of your event.
Launching a product? Opening a new place? Whether as a DJ mixing live on location or ahead of time in the studio, I design to-the-point soundscapes that create that special ambiance.

MEDIA PROJECTS
Designing specific compilation CD's for media and corporate projects, movie soundtracks for short films and feature films, documentaries and presentations.


TRY, AND HEAR WHAT YOUR VISION COULD SOUND LIKE

Because your project deserves the best music, ever.

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SONIC NURSE | Le Design Sonique ®

Thursday, June 14, 2012

You Can Be Special, Too



Top/ The album cover for Aion (4AD, 1990) by Dead Can Dance shows a detail from the Dutch painter Hieronymus Bosch's triptych, The Garden of Earthly Delights. Assigning a musical genre to Dead Can Dance is difficult, as its style is particularly eclectic. However, its early work could be considered darkwave. In their later work, including and subsequent to the release titled The Serpent's Egg, Dead Can Dance would take ancient or various musics from around the world as primary sources, with contralto Lisa Gerrard singing glossolalia (commonly called "speaking in tongues"), giving it a very distinctive style. As a result, their later albums such as Into the Labyrinth (1993), Toward the Within (1994) and Spiritchaser (1996) sound quite different from the first three. Various sources have labeled those latter releases as neo-classical, or ethereal. Bottom/ "More Than This" is a single from Roxy Music's eighth studio album Avalon (Virgin, 1982), generally regarded as the culmination of the smoother, more adult-oriented sound of the English art rock group's later work. Cover painting ‘Veronica Veronese’ by Dante Gabriel Rossetti, 1872. Bill Murray performs More Than This in a memorable karaoke scene in the 2003 movie Lost in Translation, directed by Sofia Coppola.

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