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MUSIC STRATEGIES & SONIC BRANDING
Finding the music ID for your campaign or TV commercial to broaden brand recognition of your product. PUBLICIS, CLM-BBDO, MERCEDES-BENZ and NISSAN have used my skills.

SPECIAL EVENTS & HOTELS
Creating made-to-measure scores that define the theme of your event.
Launching a product? Opening a new place? Whether as a DJ mixing live on location or ahead of time in the studio, I design to-the-point soundscapes that create that special ambiance.

MEDIA PROJECTS
Designing specific compilation CD's for media and corporate projects, movie soundtracks for short films and feature films, documentaries and presentations.


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Because your project deserves the best music, ever.

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Monday, December 5, 2011

Come And Play In The Milky Night





Top/ Midnight Juggernauts are a Melbourne based band, described by Rolling Stone US as "David Bowie if his Berlin Trilogy was a collaboration with Kraftwerk and Faust." Their debut album, Dystopia (Siberia/Inertia, 2007), is sometimes reminiscent of Scissor Sisters. The band has been described as anything from 'prog dance meets cosmic film scores' to 'slasher-flick disco' to 'deadpan landscape'. It also received reviews stating Dystopia was an "euphoric hammering together of Krautrock grooves, psychedelic flights of melodic fancy and post-Justice grindy synth noises". Middle/ The Devil, You + Me (City Slang/Alien Transistor, 2008) is the sixth studio album by German indietronica band The Notwist. The album Neon Golden (released in 2002) put them on the map for American listeners, with its heartfelt sentiment and catchy tunes. While singer Markus Acher, in addition to his work with The Notwist and 13 & God, also works with indietronica band Lali Puna, lead programmer Martin Gretschmann also leads side project Console. Relying heavily on elements of electronic music, Console is reminiscent of some electro bands, such as Ladytron and Miss Kittin. Cover design by Yokoland. Bottom/ In 1982 British alternative rock band The Cure released Pornography (Fiction Records), the third and final album of an "oppressively dispirited" trio that cemented the Cure's stature as purveyors of the emerging gothic rock genre. Recorded with the group on the brink of collapse, it represents the conclusion of the musical journey started with Seventeen Seconds and Faith. Often cited as the most disturbing product of The Cure, the album's opening lyrical line is "It doesn't matter if we all die". Now considered one of the key gothic rock albums of all time, Pornography has gained much respect over the years.

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