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MUSIC STRATEGIES & SONIC BRANDING
Finding the music ID for your campaign or TV commercial to broaden brand recognition of your product. PUBLICIS, CLM-BBDO, MERCEDES-BENZ and NISSAN have used my skills.

SPECIAL EVENTS & HOTELS
Creating made-to-measure scores that define the theme of your event.
Launching a product? Opening a new place? Whether as a DJ mixing live on location or ahead of time in the studio, I design to-the-point soundscapes that create that special ambiance.

MEDIA PROJECTS
Designing specific compilation CD's for media and corporate projects, movie soundtracks for short films and feature films, documentaries and presentations.


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Thursday, May 27, 2010

What Can't Be Erased




Bottom/ Soon Over Babaluma (Mute) is a 1974 album by Can. It is their last album that was created using a two-track recorder. Critics generally agree that this is the band's last great album. It takes the ambient style of Future Days and pushes it even further at times, as on "Quantum Physics". The album also has its fair share of upbeat tracks, such as "Chain Reaction" and "Dizzy Dizzy". One of the most important krautrock groups, Can had a style grounded in the experimental rock of bands such as The Velvet Underground, with strong minimalist and world music influences. Through albums such as Tago Mago (1971) and Ege Bamyasi (1972), Can exerted a considerable influence on avant-garde, experimental, underground, ambient, New Wave and electronic music. Top/ Music of the Spheres (Universal, 2008) is the first classical album by English musician Mike Oldfield. New Zealand soprano Hayley Westenra is featured vocalist on "On My Heart" and the album also features Chinese pianist Lang Lang on piano. The album is based on the celestial concept, Musica universalis (Music of the Spheres). Initially the album was written with electronic elements, but as the album developed it became an orchestral piece. Oldfield wrote much of the music in the music notation software Sibelius on Apple Macintoshes. He stated that he would be recording the album with Karl Jenkins (of Adiemus) and a full orchestra at Abbey Road Studios. One of the album's tracks is entitled "Musica Universalis", which when translated into English is music of the spheres, an ancient philosophical concept that regards proportions in the movements of celestial bodies as a form of music.

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