YOU CAN BE SPECIAL, TOO

MUSIC STRATEGIES & SONIC BRANDING
Finding the music ID for your campaign or TV commercial to broaden brand recognition of your product. PUBLICIS, CLM-BBDO, MERCEDES-BENZ and NISSAN have used my skills.

SPECIAL EVENTS & HOTELS
Creating made-to-measure scores that define the theme of your event.
Launching a product? Opening a new place? Whether as a DJ mixing live on location or ahead of time in the studio, I design to-the-point soundscapes that create that special ambiance.

MEDIA PROJECTS
Designing specific compilation CD's for media and corporate projects, movie soundtracks for short films and feature films, documentaries and presentations.


TRY, AND HEAR WHAT YOUR VISION COULD SOUND LIKE

Because your project deserves the best music, ever.

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SONIC NURSE | Le Design Sonique ®

Friday, July 10, 2009

I'm So Laid Back, I'm Laid Out




Top/ Deceptive Bends (Mercury) was released in 1977 by rock band 10cc and featured distinctive cover art created by the Hipgnosis team. Lush, catchy pop songs abound. 10cc's biggest success came with the dreamy "I'm Not in Love", from the album The Original Soundtrack, which also included the jaunty single "Life Is A Minestrone". Bottom/ New Traditionalists (Warner Bros) is the fourth studio album by the New Wave rock band Devo, released in 1981. It features the minor hits "Through Being Cool" and "Beautiful World". The sound continued in the vein of the previous album Freedom of Choice, with synthesizers moved to the forefront and guitars more subdued. In addition, the lyrics are frequently dark and vitriolic. With the success of "Whip It" and its associated album Freedom of Choice, Devo attracted a new, more pop-oriented audience that was less interested in Devo's artistic theories and intelligent lyrics. In response, New Traditionalists was aimed to be a much darker, deeper and serious album. The lead-off track, "Through Being Cool," is a direct attack at Johnny-Come-Lately fans who didn't understand Devo's message. As with every Devo album and tour, the band developed a new look for the album, eschewing the Energy Dome headgear, and replacing it with the plastic "New Traditionalist Pomp," modeled after John F. Kennedy's famous hairstyle.

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