Bottom/ Amélie (Virgin, 2001) is the soundtrack to the French Academy Award- and Golden Globe-nominated motion picture Le Fabuleux Destin d'Amélie Poulain (Amélie). Director Jean-Pierre Jeunet chanced upon the largely accordion and piano driven music of Yann Tiersen while driving with his production assistant who put on a CD he hadn't heard before. Greatly impressed, he immediately bought Tiersen's entire catalogue and eventually commissioned him to compose pieces for the film. The soundtrack features both compositions from Tiersen's first three albums, but also new items, variants of which can be found on his fourth album, L'Absente, which he was writing at the same time. Beside the accordion and piano the music features parts played with harpsichord, banjo, bass guitar, vibraphone and even a bicycle wheel at the end of "La Dispute" (which plays over the opening titles in the motion picture). Prior to discovering Tiersen, Jeunet was primarily considering composer Michael Nyman to score the film. "Les Jours tristes" was co-written with Neil Hannon of The Divine Comedy. The English language version also appeared on Tiersen's L'Absente. "Comptine d'un autre été: L'après-midi" is a piano piece composed by Yann Tiersen, best known from Amélie but also used in the German movie Good Bye Lenin!, for which Yann Tiersen also composed the soundtrack. Top/ Featuring Einstürzende Neubauten member Blixa Bargeld on guitar, Henry's Dream (Mute Records, 1992) is the seventh album released by Australian post-punk dandys Nick Cave and the Bad Seeds.
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Finding the music ID for your campaign or TV commercial to broaden brand recognition of your product. PUBLICIS, CLM-BBDO, MERCEDES-BENZ and NISSAN have used my skills.
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Creating made-to-measure scores that define the theme of your event. Launching a product? Opening a new place? Whether as a DJ mixing live on location or ahead of time in the studio, I design to-the-point soundscapes that create that special ambiance.
Creating made-to-measure scores that define the theme of your event. Launching a product? Opening a new place? Whether as a DJ mixing live on location or ahead of time in the studio, I design to-the-point soundscapes that create that special ambiance.
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Designing specific compilation CD's for media and corporate projects, movie soundtracks for short films and feature films, documentaries and presentations.
TRY, AND HEAR WHAT YOUR VISION COULD SOUND LIKE
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Check below sneak preview of the high quality and cool kind of library
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Check below sneak preview of the high quality and cool kind of library
you are accessing by working with SONIC NURSE | Le Design Sonique ®
Thursday, April 9, 2009
Where The Wild Roses Grow
Bottom/ Amélie (Virgin, 2001) is the soundtrack to the French Academy Award- and Golden Globe-nominated motion picture Le Fabuleux Destin d'Amélie Poulain (Amélie). Director Jean-Pierre Jeunet chanced upon the largely accordion and piano driven music of Yann Tiersen while driving with his production assistant who put on a CD he hadn't heard before. Greatly impressed, he immediately bought Tiersen's entire catalogue and eventually commissioned him to compose pieces for the film. The soundtrack features both compositions from Tiersen's first three albums, but also new items, variants of which can be found on his fourth album, L'Absente, which he was writing at the same time. Beside the accordion and piano the music features parts played with harpsichord, banjo, bass guitar, vibraphone and even a bicycle wheel at the end of "La Dispute" (which plays over the opening titles in the motion picture). Prior to discovering Tiersen, Jeunet was primarily considering composer Michael Nyman to score the film. "Les Jours tristes" was co-written with Neil Hannon of The Divine Comedy. The English language version also appeared on Tiersen's L'Absente. "Comptine d'un autre été: L'après-midi" is a piano piece composed by Yann Tiersen, best known from Amélie but also used in the German movie Good Bye Lenin!, for which Yann Tiersen also composed the soundtrack. Top/ Featuring Einstürzende Neubauten member Blixa Bargeld on guitar, Henry's Dream (Mute Records, 1992) is the seventh album released by Australian post-punk dandys Nick Cave and the Bad Seeds.
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