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MUSIC STRATEGIES & SONIC BRANDING
Finding the music ID for your campaign or TV commercial to broaden brand recognition of your product. PUBLICIS, CLM-BBDO, MERCEDES-BENZ and NISSAN have used my skills.

SPECIAL EVENTS & HOTELS
Creating made-to-measure scores that define the theme of your event.
Launching a product? Opening a new place? Whether as a DJ mixing live on location or ahead of time in the studio, I design to-the-point soundscapes that create that special ambiance.

MEDIA PROJECTS
Designing specific compilation CD's for media and corporate projects, movie soundtracks for short films and feature films, documentaries and presentations.


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Because your project deserves the best music, ever.

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Tuesday, September 16, 2008

We Are Glitter




Bottom/ In Your Mind (E.G. Records) is a 1977 album by Bryan Ferry. It was his fourth long-playing solo release and the first consisting entirely of original songs: the first two had been cover albums, the second concluding with an original song, the third a collection of B-side and EP material, all of it covers. As Ferry's first solo all-original LP effort, released after the break-up of Roxy Music, it was supported by an extensive tour. Top/ "Butterfly Caught" is a single taken from 100th Window (Virgin Records, 2003), the fourth studio album from the Bristol-based trip-hop group Massive Attack. Of Massive Attack's original core trio, the album only featured Robert Del Naja – Andrew Vowles departed shortly after the release of Mezzanine, and Grant Marshall was on a sabbatical to raise his young daughter. Released in 2003, it was written and produced by Del Naja and Neil Davidge, and features the vocals from Horace Andy and Sinéad O'Connor, as well as an appearance by Damon Albarn. It is the first album by the band that made no use of samples, and contains none of the jazz or fusion stylings of the band's earlier recordings. 100th Window received a generally positive, though somewhat muted critical reception, many arguing that whilst Massive Attack's previous three albums had all broken significant new ground for the group, 100th Window's dark, brooding sound was merely a continuation, although in some areas, less dark, of Mezzanine. The title of the album comes from the book "The Hundredth Window: Protecting Your Privacy and Security in the Age of the Internet"; this title is an allusion to the idea that one's security is compromised if even one window is left open.

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